Dragons Blood Ink to Pinterest (opens in a new window)

Dragons Blood Ink

Dragons Blood ink is an tool of command, protection, and potency. For spells that demand presence and insist on being heard. Use to dress petitions, empower charms, inscribe seals, or mark curses with force. It has long been used across traditions to amplify magical work, and this is no different – bold, rich, and unmistakable.

It is an excellent amplifier, and can be used in conjunction with other magic and inks. (A particular favourite of ours is to draw a sigil in one pigment, and layer it with a second sigil in this dragons blood)

Blended with resinous dragons blood, and oils of cinnamon, patchouli, and benzoin – the scent is heavy, warm, and spiced. Rose adds a binding edge, linking the spell to its mark and encourages all the botanicals to work together. The result is a blood-dark colouring, heavy with purpose.

Charge it by fire, by incantation, or by your energy alone – this is meets power with power.

The colour is a deep red-black, with natural sepia warmth beneath.

Sold individually.

See how to use this product, full size information, details, more magical uses and other information in the description box below. 

This product is currently out of stock and unavailable.

Dragons Blood ink is an tool of command, protection, and potency. For spells that demand presence and insist on being heard. Use to dress petitions, empower charms, inscribe seals, or mark curses with force. It has long been used across traditions to amplify magical work, and this is no different – bold, rich, and unmistakable.

It is an excellent amplifier, and can be used in conjunction with other magic and inks. (A particular favourite of ours is to draw a sigil in one pigment, and layer it with a second sigil in this Dragons Blood)

Blended with resinous dragons blood, and oils of cinnamon, patchouli, and benzoin – the scent is heavy, warm, and spiced. Rose adds a binding edge, linking the spell to its mark and encourages all the botanicals to work together. The result is a blood-dark colouring, heavy with purpose.

Charge it by fire, by incantation, or by your energy alone – this meets power with power.

The colour is a deep red-black, with natural sepia warmth beneath.

As with all our inks, Clove buds are added to each bottle to preserve its power and increase its longevity. Made with dyes, botanicals, tinctures, gums and infusions to conjure and connect to the spirits on many layers.

Shake or stir before use- we like to use a toothpick to really stir the spirits back into action. These inks can be used with a dip pen, but can also be used with feather quills, sticks, paintbrushes or other mark making instruments. These have not been tested with cartridges, for the pen aficionados out there, and we suspect many of our recipes will be too thick. Please clean your writing or painting instrument after use to prevent gum build up.

 

Ink colour may look different to the images provided due to the nature of the botanicals- Mother Nature doesn’t make the same plant twice. This product comes in two sizes- please choose carefully! Please note that these may arrive to you settled out- this is why we recommend to always shake or stir before use!

Product Details:
  • Material: Botanicals, Dyes, Resin, crafted into witchcraft ink. Contained within a clear glass jar.
  • Size: 15ml/35ml
  • Colour: Red, with Sepia Undertones
  • Made in the UK
  • Storage Place in a cool dark space for storage, or keep in the fridge between uses to extend it’s life span- this ink is made from natural ingredients

Traditional uses for Inks in British Folk magic:

 

Write Protective Charms in Ink for the Body or Home

Using magical ink on paper or parchment, you can inscribe protective words, names, or sacred verses to carry on your person or fix above a doorway. Cunning folk often used Latin phrases from Psalms, names of the Three Magi, or palindromic symbols like the SATOR square. These were folded into tiny packets or stitched into clothes, hung in homes, or sealed in small bottles – all believed to guard against witchcraft, illness, or misfortune. The Museum of Witchcraft has an excellent Sator Square on Slate that you can view here.

 

Craft Healing Amulets for Illness or Ailments

Inks have always been used to write specific formulas intended to draw out sickness or cure spiritual afflictions. A classic method involved inscribing the word “Abracadabra” in a diminishing triangle on paper – believed to drain a fever or ague as the letters diminished. These were worn at the neck or laid beneath the pillow. Certain witchcraft ink correspondences, such as those linked to purification, vitality, or solar force, lend themselves well to this purpose.

 

Inscribing Names and Spirits for Spell Activation

In traditional folk magic, the act of writing the names of spirits, saints, or holy figures formalised a magical working. Whether invoking an angelic name for aid or writing a person’s name in a love spell or curse, the liquid itself serving as a binding force. The written word made the practitioner’s will tangible, especially when combined with blood, consecrated ink, or writing performed during specific moon phases. (Or, on the more ceremonial side of magic – planetary hours)

 

Draw Circles, Signs, or Sigils in Ink for Ritual Use

Practitioners draw magical circles, crosses, astrological symbols, or sigils on paper, cloth, or directly onto the work surface using magical ink. This was common in both protective rites and conjurations. The ink – particularly when associated with fire, air, or planetary influence – was chosen to suit the working. For instance, black ink from oak gall or iron was linked to Saturn and might be used in banishing or binding work. This is still a common use today.

 

Create Curse or Counter-Curse Scripts

Some charms were deliberately written in reverse or with specific malformed letters to signify a harmful working. A recorded Welsh charm used backward writing to place a curse, later discovered and linked to a wise woman accused of witchcraft. Likewise, reversing the direction of names or phrases was believed to break the power of a harmful spell, if one knew how it was constructed. Witchcraft Ink used for such work were often associated with Mars, Saturn, or personal sacrifice (such as blood or soot-based inks).

 

Mark Livestock Charms or Farm Protection Bottles

Farmers across Britain worked with cunning folk to protect their herds by placing written charms inside barns or stables. These were often created with ink and included psalms, angelic names, or astrological signs. Some were buried in bottles in the wall, under the threshold, or hidden in the rafters. Inks related to earth, fertility, or protection from the evil eye were well-suited for this. Butter charms were often worked in a similar way.

 

Conceal Intent with Secret Scripts or Glyphs

A common technique involves obscuring magical writing using symbolic alphabets, cryptic glyphs, or the practitioner’s personal shorthand. These signs cloak the working from prying eyes while enhancing its power. Having aspects of the work hidden to increase it’s potency -by shielding it from malefica- is seen across many traditions. The liquid mixtures’ correspondence added another layer – for example, using a Mercury-linked ink for cunning, secrecy, and mental agility.

 

Fix Intent in Witch Bottles, Poppets, or Burial Charms

A written petition or name, inscribed in magical ink, could be placed inside a witch bottle, poppet, or burial jar. Whether the goal was protection, binding, justice, or love, the liquid helped ‘fix’ the spell into place. Red or black pigments were often used for fiery workings or blood magic, while gentler pigments (lavender-hued, lunar silver, or dove-grey) lent themselves to healing, peace, or mourning rites.

 

Canting Works- Where’s the Ink?

Amongst the Indigenous Canting Tribes, written charms in their languages – where used – would often be found in Bibles, cheap print (Prognostications, “Poor Robin” almanacs), and pocket service books. The works would often be in the margins and in one of the Canting Symbolic Alphabets, or with an English script and written in the Cant. Patricos- Hedge Priests- Priests of the Canting Tribes, would often use torn prayer leaves with specific inks along with herbs for charms, often written in the Patri-cove Cant – which within itself has a high amount of Latin influence. These specific methods are closed to the Canting Tribes to which they belong, but worth mentioning due to their location in the world.

Lastly, to see how people use these in action, visit our Instagram Page. If you want to learn more about our products and read our blog posts, go to our ‘Learn More’ Page. To view the rest of our witchcraft supplies and pagan products, click on our ‘Shop’ Page.

Weight 0.080 kg
Size

15ml, 35ml

Reviews

There are no reviews yet.

Only logged in customers who have purchased this product may leave a review.

You may also like…